Omens 6 – Jig of the Changeling

A withered fairy

Dancing in the pale moonlight

Rot and elation

© Shyla Fairfax-Owen


Omens is my Halloween Haikus series – check back soon for more!

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Omens 5 – Triskaidekaphobia

Thirteen whispers sigh

Hushed by the howls outside

Thirteen lost souls wait

© Shyla Fairfax-Owen


Omens is my Halloween Haikus Series – check back soon for more!

3 Days, 3 Quotes Book Tag – Day 3

It’s the final day, and a final thank you to Irene of Books and Hot Tea for tagging me on this one. It’s been more difficult than I had anticipated – finding those perfect words. But at least I’ve gotten to revisit some of my favourite books!

So, one last time, here are the rules:

  • Thank the person who nominated you
  • Post three different quotes in three consecutive days
  • Nominate three new bloggers each day

To end, I’ve chosen an eerie quote from Angela Carter’s short story, “The Lady of the House of Love.” It’s been published in a collection of her works, The Bloody Chamber.

She herself is a haunted house. She does not possess herself; her ancestors sometimes come and peer out of the windows of her eyes and that is very frightening.

A sorrowful and grim passage that well represents the tone of Carter’s fairytale retellings. I recommend this collection to anyone who has outgrown fairytales as told by Disney, and is longing to return to their darker, more powerful, roots.

Thanks for reading!


Today I nominate Friendly Fairy Tales, ronovanwrites, and C.M. Rininger. Feel free to join in, or pass.

3 Days, 3 Quotes Book Tag – Day 2

Day 2, and once again, a thank you to Irene at Books and Hot Tea for tagging me.

Here are the rules:

  • Thank the person who nominated you
  • Post three different quotes in three consecutive days
  • Nominate three new bloggers each day

Today I bring you a thoughtful prose from Weaveworld by Clive Barker. The story is magical, and dark, and (at times) convoluted due to its dense use of language. It makes for an extraordinary read though, and you can pull quotes from it for days. So here’s mine:

Nothing is fixed. In and out the shuttle goes, fact and fiction, mind and matter, woven into patterns that may have only this in common: that hidden amongst them is a filigree which will with time become a world.

As the first page of the story, this grandiose introduction invites the reader to fully immerse themselves into the world of storytelling, and to think about what it really means to life into characters. I recommend the book to all writers, and to anyone intrigued by words and how they come together to create meaning.


Today I nominate The Writer’s InkwellNightmares, Daydreams and Imagined Conversations; and HemmingPlay. No pressure, but feel free to join the fun!

Manufactured Immortality

Kato approached the window and laid his hand upon the cool, hard, glass. On the other side of it lie his trusted advisor, and surrogate big brother, unconscious. It had been exactly thirteen hours since the craft crashed, nearly taking Hays’ life. What was left of it, flesh and bone, was practically unsalvageable. As he watched the galaxy’s most renowned doctors busy about Hays’ crushed, inoperative, body – Kato couldn’t help but wonder if making him cyborg was the right choice. Hays had told him once, before he even became King, that the biggest obstacle humans have ever faced is mortality, and that banning cyborgism was the only way to make us face it. Cyborgism, he explained, was not a solution, but a pacifier. All the same, he added that if he were ever on the brink of death, that he’d take all the metal he could get, legally or otherwise. He had chuckled heartily at his own irony, and Kato had smiled along. But he never forgot those words, “a pacifier.” He recalled them in a public speech the day he signed the bill. Now he wondered if it was a pacifier for the patient, or their loved ones who simply won’t let go. Tomorrow, he’d have to publicly retract those words. Tomorrow.

© Shyla Fairfax-Owen

Most Wanted

I look up. Everything around me is sand. For miles, and miles – just sand. It’s in my eyes, between my breasts, under my fingernails. Hell, it’s even in my lungs. I cough, but I’m so hoarse it hardly sounds like myself. And then there’s the ringing. A piercing, relentless, ringing that somehow I know is coming from inside of my own head.

My wrist is broken. That much is clear. My head has been rattled. My muscles twitch and ache where they shouldn’t. But none of that compares to the damage done to the ship. Metal bits and chunks are laid out upon the sand, a perfect picture of disaster. And that’s when I know for sure, I’m never going home.

The sun is still high, which tells me I have plenty of hours to succumb to dehydration before I even see a desert’s moon. That saddens me. I’ve always wanted to see the moon from the other side. Earth. I almost chuckle. This is not at all how I imagined my grand arrival.

Somehow I find the energy to scrounge for food and water in the heaps of broken ship. I find one water bottle, and it’s only half full. Luckily, I’ve always been a glass half-full woman, so I smile and let a few drips wash over my parched tongue. Then, out of the corner of my eye, I spot a bag of peanuts, and things really start to look up. Because the peanuts aren’t mine.

The dunes are tough to get over. With each step I sink, and have to struggle forward. I engage every muscle, every bone (that isn’t broken), and every corner of my mind. Willpower – there’s nothing like it.

Finally I see a shadow in the distance. I think it’s the shape of a person. The sun is almost set now; it’s cold and I’ve almost finished the water. The peanuts are long gone. It’s not a lot, but it’s enough to assure me I’m not hallucinating when the figure starts towards me.

It’s a woman. She’s tall and sturdy, wielding a crossbow. A huntress of the Desert Peoples. She won’t care that I’m interstellar. Desert Peoples are poor, desperate – they have a million other things to worry about besides intergalactic relations. Still, I hold up my index finger to indicate that I come in peace. I hold up a piece of scrap from my ship and point to the sky, then my broken bone. She nods and offers me a hand.

Gaza, as she calls herself, takes me to her home. She is proud of it even though it is small, dark, and sticky. Its walls are decorated with her trophies – the heads of creatures small and large. It catches me off guard. These are species of which I’ve only seen images. They captured their stillness, but this – this is too still. I look away, embarrassed by my weakness. To think, I used to consider myself tough.

“Thora,” Gaza says pointing to me. She is introducing me to her father, an elderly man who creaks when he moves. He nods, but his gaze seems to pass right through me. He’s blind, I realize.

Over the next few weeks I learn to help around the house. Mostly, I load parcels of meat, babying my wrapped wrist bone. I’m not sure what animal it is, and I don’t ask. Gaza and her clan are preparing for a great travel to the city where they trade goods. I will be going with her, she tells me. It will make me useful, she adds.

I fancy the idea of being a useful member of a community and I’m tickled. Back home, I was just a petty thief, in and out of jails. No sense of loyalty, no sense of belonging. I was hardly a blip on anyones newsfeed. Until the hack. Nothing like a good b and e to the Authority’s mainframe to get some attention. That’s all I was looking for, attention. But I found something much bigger. Plans of an intergalactic war. I’m not sure at what moment I decided to become the hero of this story, to come to Earth and warn the people – I guess I just needed a win. Unfortunately, the Authority put me on a most wanted murderers list before my ship had gained enough speed for its spectacular crash landing. My name was all over the newsfeeds then. Yes, it was.

“This way,” Gaza instructs as she rips down a wanted poster of me. We’ve just arrived at the trading post. It’s the first time I’m sure she knows who I am, but neither one of us says a word about it. I breathe a sigh of relief. It’s good to know she’s on my side. I plan to tell some of the traders about the war plans. They’ll be from all over, and I’m sure to find someone who speaks more English than Gaza; maybe even some Lunar.

Inside the post, Gaza goes on with a shorter woman who is plump and (from the looks of it) bored. After Gaza begins raising her voice, a man comes out. They go back and forth for a while in a language I can’t understand and I turn my back on the ordeal. I’m fondling some sparkly trinkets that I don’t recognize when the hand grabs me. I turn to face the large man as he cuffs me. I want to scream but I’m in shock, because I don’t know what’s going on, but from the look on Gaza’s face, I’ve been sold out.

© Shyla Fairfax-Owen

A Wolf in Sheep’s Clothing

Walter practiced smiling sheepishly in the mirror, but it was useless. When he bared those sharp, inhuman, canines, his smile became a snarl; he became a threat. Everything about him from his piercing yellow eyes to his thick, tool-like, toenails screamed villain. There was no house of straw, or stick, or even brick that he couldn’t be accused of blowing down. No three innocents they wouldn’t have him hanged for killing. No creature in all the lands that wouldn’t hear his tale and cringe. Except, of course, Gale. He had to get to Gale. A man of his size, temper, and smarts would not turn Walter away – he hoped.

In Gale’s dimly lit office, crowded with antiques from far and wide, Walter sat as still as any of the statues that lined the walls. He could feel his chest anxiously heaving. Gale stood against his own desk, looking down on Walter – analyzing every last bit of him. His eyes narrowed, head slightly tilted; the intensity thickened the air.

“You’re a monster, Walter. Why should I take your case?”

Walter felt his left eye twitch at the insult.

“They made me a monster, sir.”

“And the three dead cops? Who do you suppose took them out, if not you?” Gale was lighting a cigarette now, the glowing ember directed right at Walter – a target.

Feeling a rage building in his tightening chest, Walter’s low voice slowly turned to a growl. “They came at me. I – Self-defence. We still allow that in this tyranny. Don’t we?”

Gale and Walter’s eyes met and locked into a hardened standoff.

“And the girl? Val,” Gale finally asked, not breaking his stare – not even for a blink.

Walter leapt to his feet and in one quick stride was overtop of Gale, breathing so wildly the ember began to flicker. The edge of the desk was digging into the small of Gale’s back now, but still, he didn’t blink. Slowly, he brought the cigarette back to his lips and sucked hard, reigniting its power.

Walter shook his head violently, as if to release his anger. He moved an inch or two back, and huffed.

“I loved her,” he finally said. “And she me.”

With the silence hanging heavy over them, Walter collapsed back into his chair, eyes torn away from Gale’s. He finished, “But – yes. I killed her.”

Tears pushed forcefully out of his eyelids, but he made no sound other than the heaving huffs of a madman. Gale watched patiently.

“She – She said she’d defend me. She said – she said she’d make them see what she saw.” After a long pause, Walter grunted. “I suppose that’s exactly what she did; let them see me as she saw me. Wild, dangerous, exotic. A monster. A monster she could call her own.”

Walter looked up after what seemed an eternity. The ember had gone out, and on the edge of the desk Gale now sat behind was a contract. Stunned, Walter looked up at Gale.

“I ask nothing of my clients but the truth. The truth can always be defended.”

© Shyla Fairfax-Owen